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#1 |
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Banned
Join Date: Nov 2002
Location: In clothing
Posts: 3,510
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question about MP3s
I just got an equalizer and it seems that if I drop the 16KHz slider all the way down the sound quality will be improved greatly with all of the strange little noises I normally associate with MP3s completely removed. I was wondering why this happens, does the MP3 format screw up the 16KHz range of music? Is their something wrong with my amp or soundcard?
If thats true I need to find a new format to rip my cds to. (Yes I acctually buy cds, I only store them in mp3 format because its so much easier than looking for a cd I want to listen to) |
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#2 |
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HardwareHeaven Extreme Member
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My guess it would have to do with the actual compression algorithm. You should give Ogg Vorbis a try, most users seem to love it including myself.
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#3 |
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DriverHeaven Extreme Member
Join Date: Jan 2003
Location: Ohio
Posts: 1,588
Rep Power: 66 ![]() ![]() ![]() ![]() ![]() ![]() |
Ogg Rocks! BTW thats the compression the Unreal games use at least thats what UT2k3 and Unreal II used. I would guess UT2k4 will as well.
__________________
[COLOR=Blue]“Alright boys, let’s start her up and see why she doesn’t work.” - John Fritz
"I aim to misbehave" Malcolm Reynolds ATI Catalyst Beta Tester[/COLOR] |
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Banned
Join Date: Nov 2002
Location: In clothing
Posts: 3,510
Rep Power: 0 ![]()
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yeah, I just found a site that expalined all of the flaws, it cuts off everything above about 14KHz.
http://www.geocities.com/cfr707/mp3.htm |
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#5 |
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DriverHeaven Lover
Join Date: Aug 2002
Location: Slovenia
Posts: 249
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Ogg Vorbis rocks
Yup you should definitely encode into Ogg Vornis. It gives you much better sounding files for same size or much smaller files for same quality. And the format is quite a bit more advanced then MP3 and totally open and free.
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#6 |
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Flash Banner Hater
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Depends on the codec - some MP3 encoders cut hard at 16kHz - THEY should not produce grotty artifacts though, as if anything at those frequencies is there, it will just be dropped.
Others vary it with the settings, or have an option. If your talking about results from already encoded mp3's, they can have some spitching and general unpleasantness - and some encoders are just plain defective. A GOOD encoder, at an adequate bitrate, should be able to beat ABX - if LAME using alt-preset-extreme (or even standard) is not transparent to you, then congratulate yourself on having excellent auditory discrimination - and join in some encoder testing! http://www.hydrogenaudio.org - the place to be if you're into audio! |
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#7 |
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confutatis maledictis
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Yes if you are using a crap encoder, the files will sound like crap. A lot of people I know just use Musicmatch, they never look thru the settings, and the default bandwidth is 16kHz, and then wonder why the files don't sound good. Then they hear my Lame mp3's and say they sound just like the CD
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Digitalis 3.3 Athlon 64 3000 // ASUS K8V SE Deluxe // 1024MB PC3200 (2-2-2-10 1T)
ATI All-In-Wonder 9700 Pro // 20" Dell 2005FPW (DVI) M-Audio Revo 7.1 + Philips Acoustic Edge // Klipsch ProMedia 2.1 320/16 Western Digital WD3200KS + 120/8 Seagate 7200.7 NEC ND-3550A 16x DVD±RW + Lite-On 52x24x CD-RW Antec Sonata case // 480W Antec TruePower personal bests || Aq'3: 46796 | 3D'01: 20461 | 3D'03: 6336 | 3D'05: 2677 | PC'04: 4605 | PC'02: 7691,9092,1250 |
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Banned
Join Date: Nov 2002
Location: In clothing
Posts: 3,510
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Quote:
I do have a very good sound system too, harmon/kardon amp, polk audio speakers. I just added this technics 14 band equilizer. (I know its not that great, but it was my first purchase of an equualizer and I didn't want to go overboard if it wouldn't do much for me) I'll check out that site. |
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#9 |
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Flash Banner Hater
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A quick word about the LAME PRESETS - the Main (and highly tuned) alt-presets are variable bitrate.
--alt-preset EXTREME - averages about 250 kbit/s, quality exceeds constant bitrate 256 --alt-preset STANDARD - averages about 190 kbit/s, and better than CBR 192 --alt-preset (number) - average bitrate mode, generally better than --alt-preset CBR (number) - constant birate - but useful if your usage demands CBR. There is also a custom DLL version, where certain quality settings are mapped to alt-presets There is also a Windows ACM version, but it can be hard to find, and has not been subjected to the same tuning |
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#10 | |
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confutatis maledictis
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Quote:
--r3mix
__________________
Digitalis 3.3 Athlon 64 3000 // ASUS K8V SE Deluxe // 1024MB PC3200 (2-2-2-10 1T)
ATI All-In-Wonder 9700 Pro // 20" Dell 2005FPW (DVI) M-Audio Revo 7.1 + Philips Acoustic Edge // Klipsch ProMedia 2.1 320/16 Western Digital WD3200KS + 120/8 Seagate 7200.7 NEC ND-3550A 16x DVD±RW + Lite-On 52x24x CD-RW Antec Sonata case // 480W Antec TruePower personal bests || Aq'3: 46796 | 3D'01: 20461 | 3D'03: 6336 | 3D'05: 2677 | PC'04: 4605 | PC'02: 7691,9092,1250 |
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#11 | |
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Flash Banner Hater
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Quote:
DO forget r3mix! It seems the dm (Dibrom) presets are now the alt-presets - and leverage opotions that my not even be available in standard commandline, whereas the r3mix preset is really only a potted set of commandline settings. General advice on H-audio, is to use the alt presets , and unless specifically advised, DON'T mess with any other settings. (in rare cases, if you KNOW the material has no centre, forcing full stereo will increase speed, but the alt presets use --nssafejoint, so are probably aggressive enough in switching from M-S to L-R if needed) |
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#12 |
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Freedom is a feature.
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I personally prefer MPC over MP3, because of almost transparent quality at much lower bitrate. You should give it a try.
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-- Vedran |
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